US Artists & Producers

Your European radio money
has been sitting there for years.

The USA did not sign the Rome Convention but ratified the WPPT in 2002. That makes US performers and producers eligible for neighbouring rights royalties from digital radio, streaming and simulcasting across Europe. Most have never been registered.

Time-critical: claiming for the 2022 distribution year at GVL is drawing to a close. Once a year is settled, undistributed funds are reallocated permanently.

Who is eligible — and for what

Digital radio, simulcasting & streaming apps

Eligible under the WPPT regardless of where the recording was made. This is now the largest share of European radio consumption — GVL and other societies do not separate terrestrial from IP delivery in their monitoring.

Terrestrial radio & TV with EU first publication

Where a recording was also published in a Rome Convention state within 30 days, the full claim applies — terrestrial use included.

US-only recording and release

Here the claim is limited to digital use. What matters is the type of use, not nationality — we check that recording by recording.

How we collect your European royalties

01

Free preliminary assessment

We analyse your catalogue against German and European airplay data and society records. Within 5–10 business days you know whether a meaningful recovery is likely — with an estimated range, at no cost.

02

Mandate & GVL registration

You set up your GVL account; we handle all German-language documentation. Catalogue registration, retroactive declarations for every open period, clean ISRC linkage throughout.

03

Multi-society rollout

Germany is usually first. After that PPL (UK), SENA (Netherlands), SCPP (France), SAMI (Sweden), GRAMO (Norway) and further societies — based on where your recordings actually play.

04

Distribution & reporting

The societies pay you directly. You receive one consolidated quarterly report across all markets. Our fee applies only to distributions actually received.

What we are asked most often

Does this affect my label deal?

No. This concerns the producer and performer share of statutory remuneration, not licence income under your contract. Where claims sit contractually with the label, we clarify that first — before anything is filed.

Doesn't SoundExchange cover Europe?

No. SoundExchange covers US usage. European remuneration sits with the European societies and is only distributed to registered claimants there.

How far back can we claim?

Three to six years depending on the country. What matters is filing the open years before they are settled.

Do I need a German bank account?

No. The societies pay out internationally.

What if my management already handles royalties?

Then we work alongside them. In practice European neighbouring rights is precisely the area general royalty administration does not cover.

What does it cost?

Nothing upfront. The assessment is free and our fee applies as a share of distributions actually received.

Tell us what you have.

A brand, a catalogue, a work or an idea — the first assessment costs nothing. We will tell you honestly whether a licence model pays off, or where revenue is going missing.

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Phone
Address
Deepenstöcken 10
22529 Hamburg
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